Creative Review

When Creative Review featured Gareth in their Creative Futures Special, they were also kind enough to ask him for an idea and design for that issue’s cover.
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  • Using 21 desk lights, the first furnishings purchase for any budding designer, Gareth created a logotype, and being a perfectionist made sure he got to use the back cover too, so readers knew if wasn’t just a Photoshop job.
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Cluster Munition Coalition

The Cluster Munition Coalition (CMC) is an international civil society campaigning to ban the use of cluster bombs around the world.
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  • Campaign Design
  • In collaboration with Ben Branagan, Gareth created designs for the CMC’s “Make It Happen” campaign that were used globally on billboards, booklets and architecture.
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Landmine Action

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  • Heads Shoulders Knees & Toes
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This film was made for Landmine Action and Cluster Munition Coalition (CMC), as part of the organisations’ ongoing campaigns to stop the use of cluster bombs.
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  • Gareth collaborated with Ben Branagan, creating the CMC campaign spot with original footage from Chris Anderson.

100 Pieces of Havana

  • Intercity commissioned 100 artists and designers to create pieces for the exhibition “100 Pieces of Havana”, held at the Dray Walk Gallery in theTruman Brewery
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  • Apart from the bottle of Havana Club, which all selected artists and designers were sent as inspiration, the brief was wide open and Gareth chose to bring to life the streets of downtown Havana using the iconic shapes of the city’s vintage cars and its crumbling colonial buildings.
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Orange Interactive

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    Good Things Should Never End
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    • commissioned by Weapon 7.
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    • The challenge for this advert was to create a stop frame animation shot in one continuous take. Its surreal landscape was mostly handmade and involved building a mammoth set that takes the viewer through cardboard factories, across rivers of coloured paper, on a journey from urban cityscape to rolling countryside and back -again.
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    • Along the way digital TV’s ‘red button’ options delivered the advert’s interactive elements, in the form of graphic signposts flagging up Orange offers and information.

    Flat Hat

    FlatHat is made from 2.5mm, high-grade, 100% natural, wool felt, and available in a variety of colours. Its clever lattice cut design means it can be folded, rolled or stuffed in a pocket when not worn, without being crushed and damaged. A summer version made from 1.5mm high-grade wool felt is also available, while a special rubber cork version has gone into production too.
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    • Designed in collaboration with William Smith, it was featured in the book Made & Sold, which was written and designed by the great FL@33, and published by Lawrence King. Check it out here: www.madeandsold.com.
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    Morphica

    Designing the triple CD box set for Mikhail Karikis’s debut album was another collaboration with Ben Branagan.
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    • After exploring almost every conceivable idea for an album sleeve Gareth and
    Ben decided upon a handcrafted box accompanied with 15 prints by artists responding to Karikis’s music.
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    Selfridges & Co

    • Once a year Selfridges invites a group of up and coming designers, illustrators and photographers to create window displays for their flagship store on London’s Oxford Street, as part of the Shape of the Future event. In 2005 Gareth was fortunate enough to be among those asked to create a display.
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    • Gareth’s basic idea was to raid Selfridges’ bins and use their rubbish to create sculptures of the most iconic designer products they sell. Waste paper bins became lipsticks, apple cartons turned into keyboards, and old cleaning products were transformed into iconic vacuum cleaners.
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    • Each object was then displayed in Selfridges’ windows, creating a connection with the high street shoppers who spent time pondering over the sculptures and the questions they raised about the real value of the products they represented, and that of the things we discard.
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    Rank

    A series of 13 charts and graphs produced with Ben Branagan for the UK traveling exhibition ‘Rank’: Picturing The Social Order 1516 – 2009. Commissioned by curator Alistair Robinson and exhibited at the Northern Gallery of Contemporary Art, Leeds.
    • The charts were created in response to statistical data exploring different aspects of social hierarchy.
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